 |
| LA Times “…hilarious…a gold plated hoot…smartly executed...a side splitter...” |
Back Stage – Critics Pick “like The Carol Burnett Show…Comedic Perfection…
Laugh out loud funny….a holiday laughfest” |
LA Weekly–“Pick of the Week-Recommended “…“ingenious…priceless” |
| |
| ADA
Winners |
Best Musical Ensemble
Best Choreographer Tania L Pearson-Loeser
Best Actor - Shaun Loeser |
SoCal.com Theatre Review
By Jennifer Fordyce
Santasia is a non-stop series of comedic holiday skits in the likes of Saturday Night Live and
The Kids in the Hall and is not only recommended but required to official kick-off the sugar-filled bliss of the holiday season. For almost 10 years now, Santasia continues to revamp the classics of the holiday season from Rudolph the Red Nose Reindeer to the Abominable Snowman into a multimedia production that drives Los Angeles theatre patrons into a fit of laughter while evoking memories from childhood and the angst of believing in a fat guy in a red suit that may or may not leave you a gift on Christmas day.
The smell of home-baked cookies floods your senses
|
as the sight of a luminescent snow-covered house in holiday décor beckons you inside the theatre. What follows can only be described as a wild comical cocktail mix of holiday madness made of 1 part classic holiday nostalgia, 1 part holiday mockery of popular movies and television series and 6 guys willing to bare it all (well, almost) all in the name of good ol’ holiday cheer.
Director and Actor Shaun Loeser, along with his talented and energetic cast including James Elden, Lon Gowan, Andrew J. Hillis, Brandon Loeser and Art Oden, give a mesmerizing and hilarious performance as they morph from being thug reindeer to rap-dancing elves to telling their own true holiday memories.
Music Director Omar D. Brancato’s classic mix of
|
holiday tunes and hip-hop grooves along with Tania L. Peason-Loeser’s choreography magically transform the cast of Santasia into dancing syncopated holiday drag queens, toboggan riders being catapulted through the air and Nutcracker-inspired tutu wearing ballerinas. The live theatrical performances of Santasia are interspersed with animator Michael Granberry/Red Hatchet Film’s hysterical spoofs including “Pulp Christmas”, “The Kringles” and “Brokeback Igloo”, written by Shaun Loeser.
By the end, Santasia leaves you with a warm fuzzy feeling that makes you remember what the holidays is all about – loving the people you are with and not caring that much that Susie got the Easy Bake Oven and you didn’t. |
| |
|
|
‘Santasia: A Holiday Comedy'
Is Hysterical and Heartwarming
TOLUCAN
TIMES
By Margie Barron
Santasia:
A Holiday Comedy is so enormously entertaining, the seasonal
romp is going into its seventh year. It features amazingly
versatile actors who hold nothing back as they embrace and
skewer all the iconic moments of the holidays. The silly and
the sacred, nothing is missed as they go through a |
litany
of sketches that deal with everything
from putting up the “@#!!*in” Christmas
lights, to the Magi squabbling about their gifts. The
folks at Saturday Night Live could take lessons from Santasia's
cast of mirth-making elves, who collaborated as the writers
of this holiday gem.
Real-life
brothers Brandon and Shaun (the director) Loeser produce
the show and perform along with James Elden, Lon Gowan,
Andrew J. Hillis, Art Oden and “Big
Dave” Mattey. All outrageously funny, but each |
takes
a turn at sharing a personal Christmas
memory. Those
brief moments give the show its heart, in-between the relentless,
but enjoyable, craziness.
Dance
numbers are presented by the over-grown elves (doing the “almost” Full
Monty!). Cleverly filmed movie spoofs, along with animation,
and several “commercial
breaks” add a multimedia dimension to the high-energy
show. The wild runaway bobsled finale, done in pantomime,
will leave you laughing and breathless. |
| |
|
|
Santasia
Episode V
A Holiday Comedy
LA
TIMES
David C. Nichols
So
wacky, yule be of good cheer.
'Twas
the night before Christmas and the elves went on strike,
for imperial Santa wouldn't grant a pay hike. That is
all one needs know about "Santasia Episode V: A
Holiday Comedy," which concludes its shamelessly
entertaining run Sunday.
Produced
by certifiable siblings Shaun and Brandon Loeser, "Santasia
Episode V" represents a high point for this annual
holiday howler. In concept and execution, |
"Santasia" resembles
what could happen if the "Kids in the Hall" crew
got into Grandma's kitchen and laced all the fruitcake
with LSD.
The
Easy-Bake Oven-light premise, created by its daft cast,
strings together diverse leitmotifs — George Lucas, "Pulp
Fiction," the Rankin/Bass animated specials, family
dysfunction, ad infinitum — into a yuletide blowout
that plays by and on its own crazed terms, with hilarious
results.
Art
Oden's robust Santa shifts into Brando's Don Corleone,
while director Shaun Loeser's union- organizing
elf becomes a Rudolph-nosed Joe Pesci. Brandon Loeser's
piano bar elegy to the snowman that |
got
away is priceless; so are Michael Alvarado and R.C. Ormond
as Santa's Tarantino-flavored hit men.
They
and colleagues James Elden, Andrew J. Hillis and David
Mattey fearlessly throw their elfin selves into Tania
L Pearson-Loeser's hysterical choreography and costumes,
only to deliver real-life anecdotes with immense personal
warmth.
The
by-committee technical effort demonstrates high wit,
especially the remarkable video segments, and the wonderful
toboggan-ride finale fractured me. Some R-rated language
makes "Santasia" dubious for preteens, and
that's about the worst thing I can say for this demented,
delightful seasonal display. |
| |
Santasia
Episode V
A Holiday Comedy
Pick of the Week
LA
WEEKLY
Amy
Nicholson
Recommended /
Pick of the Week
The
Santasia boys return with their perfect blend of Yuletide
snark and sentiment. The all-dude sketch-comedy troupe
has preserved many of the best bits in this show’s
seventh annual incarnation, including a snowball brawl
set to “O Fortuna,” |
a “Nutcracker
Suite” performed with stubble, and an ingenious spoof
on Eminem that leaves Santa watching his back.
Equally
as important is the sloppy, daffy joy that comes from
being soused by Christmas spirits and slapping on a tutu
and elf hat. In fact, there’s so much casual cheer
that a technical difficulty with a canned ham left the
cast sniggering through the next scene. When not riffing
on Hollywood with Joe Pesci |
Rudolph
and rambling tête-à-têtes between Santa’s
hit men Vincent and Jules, the boys poke fun at the family
ordeals ribboned in with the festivities, from the slave
labor of hanging Dad’s grandiose Xmas lights to smiling
past the family bigot.
What makes the jabs so striking is the affection behind them. “The
things you hate and dread in life become the things you love and miss the
most,” says director Shaun Loeser in his monologue — a fitting
theme for the evening. |
| |
Santasia
Episode V
A Holiday Comedy
Back Stage West
Jeff Favre
It
may not be A Christmas Carol, but Santasia, now in its
fifth year, has staked its claim for one of NoHo's annual
theatrical traditions. And while this sketch comedy,
presented by capable Chicago and Los Angeles improv veterans,
isn't Charles Dickens, it is a funny and intelligent
holiday romp. Directed by Shaun Loeser, who appears in
the cast of eight with his brother Brandon, this music-
and parody-filled 90-
minute production
succeeds because the
pacing is sharp, the sketches are short, there are several
outstanding video segments, and
there is a genuinely
warm atmosphere |
onstage.
There are probably too many sketches--almost 30 in total--but
the few weak ones are easily overshadowed by a bounty of
hilarity.
The
mix of new segments and pieces from previous productions
begins with a parody of the opening song in The Lion
King, as the residents of the North Pole sing a greeting
to Santa. The series of projected video pieces includes
a multipart takeoff of The Empire Strikes Back, in which
editor David Mattey skillfully has placed two elves smack
into the middle of the scene in which Luke Skywalker
battles a snow monster. The parodies are the strong suit
of Santasia, the funniest being "Pulp Christmas." Michael
Alvarado and R.C. Ormond, who are spot-on as John Travolta
and Samuel L. |
Jackson,
re-enact scenes from Pulp Fiction, as they retrieve a red
sack for their boss, Mr. Claus. Interspersed with the outrageous
bits are heartfelt monologues about each performer's favorite
Christmas memory. And the finale, a wild sled ride set
to the "William Tell Overture," is as creative
as it is humorous.
Shaun
Loeser keeps his cast from the type of hammy acting that
tends to sabotage sketch comedy. His set design--a house
with gaudy decorations and a comfy living room--is impressive,
given how small the stage is. Loeser is ably assisted
by the simple but effective choreography created by Tania
L Pearson-Loeser. This is a cast clearly having fun,
and fortunately it's contagious. Let's hope there's an
episode VI next year. |
| |
Santasia
Episode V
A Holiday Comedy
Tolucan Times
Pat Taylor
What
a hoot! This holiday spoof is side-splittingly hilarious
and brilliantly original! These eight men are bursting
with energy, creativity, talent, and an uncanny sense
of comedy. Alumni of Chicago’s Improv Olympic,
Second City, and L.A.’s ComedySportz, this tribe
of zany, brainy guys have written a manic set of vignettes
that have been packing the house for five years in NoHo.
Taking us from uncontrollable laughter to heart-rending
memories of |
past
Christmases in 29 quick scenes, this nut cake show is a
wacky winner.
How
do they think up this stuff? Under the razor sharp direction
of Shaun Loeser, the performances are full throttle throughout!
There’s no shame, no egos, no limits, and no star
playing here – just a crazy bunch of regular guys
who view life from a slightly skewed angle, and are here
for the pure (and not so pure) fun of it all. One lively
scene is funnier than the last with a large screen overhead,
sporadically interjecting filmed sequences too.
They recently picked up three Artistic Director Awards at the El Portal |
ceremonies.
Choreographer Tania L Pearson-Loeser ran away with an
award for her amazing skill at moving these goofy guys
around the stage, at 100-miles-an-hour.
Giant
kudos to eight of the zaniest men on earth! They are
Shaun William Loeser, Michael Alvarado, James Elden,
Andrew J. Hillis, Brandon Loeser, “Big Dave” Mattey,
R.C. Ormond and Art Oden. Just wait till you see them
perform a nearly “Full Monty” dance production
number, as Santa’s striking elves! Unforgettably
funny! Give yourself a holiday laugh break and see this
hit extravaganza this year. |
| |
SANTASIA
RELOADED
Pick
of the Week
LA
WEEKLY
Neal
Weaver
Recommended / Pick
of the Week

|
When’s the last time you saw a show
with a sledding choreographer, a visit from the Gollum, stunt
elves and a kung fu Santa? Brothers Brandon and Shaun William
Loeser, producers,performers, designer/directors and all-
around lunatics, have been producing their freewheeling Santasia shows
for six Christmases, and they’ve mastered the art. Starting with
the opening number (“All Those Toys”), in which Santa and his
strapping, hairy-
legged elves perform Rockette kicks and butt-
slapping faux Bob Fosse routines (choreographed by Tania L Pearson), it’s
a crazy ride. There’s a Brando-esque Mafioso Santa with Rudolf as |
his red-nosed enforcer, a couple of acrimonious
family Christmases, a silent movie called “The Meager
Trinket,” and “Deer Eye for the Fat Guy,” in
which Santa’s slightly fey reindeer give him an instant
makeover. Best of all are the whacked-out, no-holds-barred
pantomime interludes, including acrobatic martial arts, a
zanily sadistic snow fight, and a hair-raisingly hilarious
bobsled ride set to “The William Tell Overture.” The
multitalented Loesers and their cohorts (Michael Alvarado,
James Elden, Andrew J. Hillis, “Big Dave” Mattey
and Art Oden) have cooked up a Christmas confection that’s
nutty as a fruitcake and twice as tasty. |
“Santasia
Reloaded was wonderful. Funny and touching - just a really
terrific night out! I highly recommend it and will be
back again this year!”
-
Gwen Hillier
Casting Director, General Hospital |
Santasia
Reloaded
Free
your holiday mind
LA.com
The Skinny
Santa has pissed off the elves, confronted the devil and been issued
a parking ticket while stopping to deliver some gifts. Now it seems
as if he and Neo have only 72 hours to redeem |
Zion, save Trinity and
deliver toys to all of the good little boys and girls of
the world.
“Santasia Reloaded,” with
it’s titular nod to the Matrix series, is an inventive
comedy now in its sixth season in NoHo. Past sketches
have included “Elves Gone Wild,” a holiday
jab at the spring break softcore video series and a parody
of Eminem’s “Stan” featuring a chorus
of angels standing in for trance-pop diva Dido. |
Utilizing every inch of the stage, the players
sled, prance and dance maniacally before a kitschy set including
lawn penguins, candy canes and shoddy pine trees. It all
amounts to a 90-minute, Wonka-fied yuletide send-up of Hollywood
blockbusters and LA’s celebrity culture that’s
so riddled with lowbrow humor and clever social commentary
that the nimble, six-man cast rarely come across as anything
less than perfection. |
| |
Laughing
all the way:
'Santasia'
LA Times
F.K.F.
Santa's
elves are mad as hell, and they're not going to take it anymore.
In
a nutshell, that's the thin but serviceable conceit behind "Santasia
Rocks," a wacky evening of Christmas-themed sketch comedy running
through this weekend at the Whitmore-Lindley Theatre in NoHo (make
that NoHoHoHo.) A critic could have a field day belaboring comical
metaphors for "Santasia." Let's just say this production |
is
a lot like a holiday cheese log
-- a cheesy filling
of dubious origin surrounded by a bunch of nuts. In this
case, the nuts are the show's ensemble --Michael Alvarado,
Chris Cause, Kit Davlin, Andrew J. Hillis, Erick Lopez,
Brandon Loeser and Shaun William Loeser. Brothers, the
Loesers produced the newly reworked show, originally developed
in Chicago, for its third Los Angeles engagement. The latter
Loeser directs.
Engaging
filberts all, the performers roll in the prevalent cheesiness
with infectious abandon. And Shaun Loeser's scenic design
-- all glitz and tinsel and hilariously low-budget "effects" --
is in the same | appropriately
cheesy vein. If the cheese images are wearing thin, let's
jumble the metaphor.
The
ensemble-scripted material ("Santasia" gets
the writing credit here) is a mixed bag, including a
few packages that should be returned to sender. More
often than not, though, the bountiful laughs come tightly
wrapped. Interstitial video segments, including the parody
promo "Elves Gone Wild," is a gold-plated hoot.
The movement sequences, such as a mimed sledding sketch,
smartly executed on this tiny stage, are particularly
inspired. And the evening's finale is a side-splitter
that may leave your rental Santa suit in shreds. |
| |
Santasia
Rocks
A Holiday Comedy
LA
WEEKLY
Amy
Nicholson
Recommended
Elves,
both rabid and topless, wreak peppermint-fueled havoc
in an evening of holiday-themed sketch comedy. An athletic
six-man team
provides the wrapping for this 90-minute package of breezy
Christmas chaos, |
stringing
it around recurring bits involving a meat-head father
and economic strife at the North Pole.
Despite
or, more likely, because none of the ensemble has classical
dance training, the best giddiness ensues when the
posse prances straight-faced
to a variety of musical accompaniments.
Even
Eminem gets ribboned
into the action with the inspired "Dear
Santa," which |
boasts
a chorus of angels that best Dido in panache, if not singing
talent. Director-performer
Shaun Loeser's decadently lunatic set comes complete with
three trees, glowing penguins and a phalanx of ceramic
Santas.
Amidst
the tinseled barrage, each actor takes a moment to
share his favorite Christmas memory with the audience,
helping demonstrate the comparative entertainment value
of sincerity - whether with sentimentality or buffoonery
- over sarcasm. |
| |
Santasia
A Holiday Comedy
Back
Stage West
Bari Newport
It's
Christmas Eve and Satan's at the door. You invite him
in. It is Christmas, after all, and it's not his fault
your small child inadvertently spelled "Satan" instead
of "Santa" in his "What I want for Christmas" letter.
What the hell--Satan needs somewhere to go on Christmas,
too, and you've never been one to turn away a wayward
soul. Plus he's brought gifts.
If
you've had the devil at your door before, you're bound
to get a kick out of this wonderfully impish holiday
laugh-fest.
Written
and performed by alumni of Chicago's Second City, ImprovOlympic,
and ComedySportz,
Santasia's swift,
spotless style |
acknowledges
the genius of noted comedy teacher Del Close,
whose
techniques are evident throughout the show. It is refreshing
to see a company unafraid to explore the standard tricks
of comedy. And though the ensemble is living dangerously
onstage, the precision of the comedic formulas it uses
makes it very easy for the audience to just sit back, enjoy,
and laugh.
Like
The Carol Burnett Show, Santasia 2001 works so well
because of its seamless marriage of well-rehearsed
physical gags and well-
written sketches.
Santa
Claus slapped with a parking ticket as he's trying
to deliver presents is a funny idea, but the execution
and physical dance of Santa cuffed and sprayed with
mace, combined with the image of his reindeer being
booted, is laugh-out-loud funny.
Chris
Durmick, Andrew Hillis, Brandon Loeser, Shaun Loeser,
Cory Rouse, and Chris Flowers are strong as | individuals
but powerful as an ensemble. The final sketch involving
a runaway sled is comedic perfection because of the intricate
ensemble work.
The
weak moments here are so outweighed by the sheer madness
and good cheer of the piece as a whole that they can
be easily overlooked, if not forgotten altogether.
It
is certainly rare that a holiday show tangibly promotes
good cheer, but it seems to be the primary mission
of this piece. Between the eggnog and cookies served
before the show and the holiday cards addressed and
handed out to audience members during the show, the
gang does everything in its power to embrace its audience,
and it works.
Yet
the greatest ingredient in this largely bacchanalian
mix may be the sprinkling of very honest, simple "fireside
stories" that transport us and remind us of our
own childhoods of winter bliss and holidays at home. |
| |
NoHoHo for
Santasia
by Don Grigware
NoHo LA
Santasia,
now at the Secret Rose in North Hollywood, is a real
hoot for lovers of comedy improv and Christmas nostalgia.
Outside the theater, Santa's elves on strike carry picket
signs that read "Down with Santa." However,
inside the lobby the aroma of cinnamon and the walls
decked out with boughs of holly put Grandma's old-fashioned
X-mas preparations to shame. This mixed bag sets the
tone for an off--the-wall evening of laughs and memories.
Six
fun-loving actors, who participate in the writing and
direction, open and close the proceedings with uproarious
pantomime. The show opens with a raucous snowball |
fight,
and ends in a disastrous bobsled ride. Along the way there
is a irreverent verbal sparring contest between Jesus and
Hercules, and even a physical match between Santa and Michael
Myers (of Halloween fame). In one very amusing sketch Santa
is surprised by a father in drag, who proceeds to seduce
lively old St. Nick. The chase that ensues continues to
interrupt sketches through the remainder of the show. Despite
some lame silliness, Jon Hughes, Andy Dylan, Chris Durmick,
Christopher Flowers, and real life brothers Brandon and
Shaun Loeser continually keep the audience in stitches.
These guys have energy to spare and enough enthusiasm for
another millennium of Christmases.
Chris
Durmick does a terrific turn as a father (a great Jimmy
Stewart vocal impersonation) confessing an embarrassing |
Christmas
Eve moment. The piéce-de-resistance is a godfather
sketch with
Santa and his reindeer as bodyguards telling off a striking
elf. In response to his demands for pay, they admonish
the elf with, "This a not for profit organization."
"My
Favorite Christmas Memory" has each cast member
recalling one childhood Christmas. It is a touching segment,
as Brandon and Shaun recently lost their dad to a bout
with cancer. As in a choice for a time capsule, each
actor presents a souvenir that will immortalize his story.
Great living room and rooftop set, and beautifully trimmed
tree by stage manager Tracey McAvoy top off this evening
of infectious laughter for everyone. It guarantees to
bring back a favorite memory or two. You've just got
to love that Christmas penguin! |
| |
|
|
Theatrical gift found in
grown up Santasia
SHERMAN
OAKS SUN
By Amy Lyons
It’s
no wonder that Santasia, the holiday
show currently packing in audiences at the Whitefire Theatre,
has been running for seven years. The seasonal sketch comedy
is rooted in well-polished parody that takes edgy risks to
amp up the funny factor, but poignancy wanders in at just
the right moments, tempering the sometimes strictly adult
humor with honest musings on the spirit of the season. Produced
by brothers Brandon and Shaun Loeser, both of whom act in
the show and the latter of whom also directs, the cast of Santasia is
comprised of seven guys who are unafraid to get really goofy.
Each man contributes a unique comedic skills-set to the overall
show and together they work as a well-oiled machine. A small
film spoofing The Matrix and V for Vendetta sets
the tone for the show and gets people chuckling from the
get go. By interweaving the
character of Santa into the story lines and exaggerating
the more melodramatic moments of each film, the Santasia crew |
right
away shows themselves to be experts in parody. “What
if the prophecy is true?” says a character resembling
the rebel-warrior Morpheus in The Matrix. “What
if Santa Claus is coming to town?” Things get even more
fun when the film ends and the men appear on stage. An early
musical number pokes fun at the Lion King theme song, The
Circle of Life, while a later song in the show
finds Shaun Loeser hitting a comedic home run as a little kid
who takes crazed aim at Santa to the tune of rapper Eminem’s
Stan, a song originally about fan-mail gone bad. The shenanigans
continue throughout and the pleasure factor increases as the
audience becomes privy to a real slice of each Santasia boy’s
life via autobiographical monologues peppered between the bouts
of high-energy, hilarious antics. It is not easy to take an
audience from zany sketches that invoke full throttle guffaws
to more subtle moments that require calm attention, but this
cast knows exactly how to keep audiences engaged at all times.
More film clips, mostly parodies, are interspersed amongst
the live action creating an alternating
focus |
from
stage to screen that prevents the pace from stalling and
allows for the exploration of a wide range of material.
Some of the live scenes have no dialogue, but still manage
to tell complete stories via music and physical acting.
The set is a Christmas gift in and of itself, with multiple
decorated trees and the facade of a house that beams and
winks with garish holiday decorations. The house is a centerpiece
for a sketch that is clearly an autobiographical account
of Christmases past at the Loeser household, complete with
a father who shouts and bellows as the boys do all the
decorating against their will. More meaning is given to
the sketch with Shaun’s subsequent show-stopping
monologue that is a heartfelt homage to his father. There
is much more to say about Santasia, but the enjoyment
should be witnessed first-hand. From David “Big Dave” Mattey’s
booming voice on “Santasia Light’s Real Men
of Genius” to Andrew Hillis’ hilarious portrayal
of an elf getting down to rhythm and blues jams when no one
is looking, the laughter and camaraderie created by this
cast is truly a gift. |
| |
|
|
StageSceneLA.com
--Steven Stanley
Santasia—A Holiday Comedy is back for its 9th annual potpourri of skits, videos, musical production numbers, and recollections of Christmases past—and what a show it is, whether you’re someone who’s enjoyed the all-male cast’s wackiness in years past, or a newbie like me. Of all the Christmas shows I’ve seen this season, Santasia is quite possibly the best blend of comedy and heart.
The “Loser’s Kids” (yes, that’s what they call themselves) are James Elden, Lon Gowan, Andrew J. Hillis, brothers Brandon and Shaun Loeser, and Art Oden, who’ve been rightly compared to The Kids In The Hall in their offbeat humor and often gender-bending characters.
Santasia begins even before the talented sextet make their first appearance, with multiplex-style “pre-show entertainment” projected above the show’s very Christmassy set. Ads for supposed North Pole businesses alternate with trivia questions and “unscramble the letters” puzzles. Company members appear in several “Previews Of Coming Attractions” including an absolutely hilarious one for Brokeback Igloo, the tale of two fishing buddies in love—complete with “I wish I could quit you” and some man-on-man smooching.
Santasia’s Christmas-themed skits are almost uniformly winners, especially:
•“Two Camels And A Donkey,” which features the Three Magi arguing about the gifts they’ve brought the baby Jesus. “What’s wrong with myrrh?” complains one of them, while another tells the gold-bearing Wise Man “I thought we’d agreed on a limit!”
•“Guess What Daddy???”, an opening-presents-on-Christmas morning treat with the priceless line, “What? A Swiffer for Christmas?!?”
•“f!@#$’ Lights!!!!”, featuring a dad and his sons decorating their house with lights galore and “a |
goddamn fucking penguin” on the roof—just trying to get it done so they can watch the game on TV.
Then there are the sensationally funny production numbers, with music direction and orchestrations by Omar D. Brancato and choreography by Tania L. Pearson-Loeser (Shaun’s wife). These include
•An outrageously funny A Chorus Line” spoof, to the tune of “I Hope I Get It” with “tiny tots” (the men in kids’ clothes and little girl drag) making their Christmas wishes to the music of Marvin Hamlisch: (Insert ACL melody) “I really need this bike. Please God, I need this bike. I've got to get this bike.”
•“How Do I Look?”, with the cast clad only in miniskirts and Christmas-themed bikini tops dancing (semi-)gracefully to the oh-so-chic sounds of “Stylish Girl” by Dimitri From Paris.
•A Full Monty take-off (pun intended) with the “studs” of Santasia doing their Chippendales best to the pulsating beat of Tom Jones’ “You Can Leave Your Hat On.” (The boys may not be as fit as fitness models, but they sure can shake their groove things.)
Sandwiched between these wild and crazy skits and production numbers are videos as well as tales of the cast members’ Christmases past. There is a series of deliberately artsy-fartsy black-and-white “ads” for Santasia Perfume by Kris Kringle, directed by Brandon Loeser and Lon Gowan, a TMZ spoof featuring a paparazzo who stalks both Rudolph The Red-Nosed Reindeer and TV’s Jim J. Bullock, and “Pulp Christmas,” a foul-mouthed claymation-style Christmasization of the Tarantino classic. (First-class animation by Red Hatchet Films and Michael Granberry.)
The “heart” of Santasia comes in the series of Christmas memory monologs by each of the “Loser’s Kids.” Lon recalls going home to his parents’ Christmas Tree farm in Vermont, where the highlight of his mom’s Christmas morning is gifting unsuspecting guests with a |
“Ta Ta Daaaa”. (You’ll have to see Santasia to find out what a “Ta Ta Daaaa” is and what it means.) Art recalls the Christmas morning he found nothing under the Christmas Tree, while James reminisces about how his brother, his sister, and he used to dance for their mom to “The Little Drummer Boy” by Johnny Mathis. Andrew recalls his dad’s inevitable purchase of the cheapest, scrawniest $10 tree on the lot, and then explains just why Dad always bought the cheapest one. Brandon remembers the Christmas when he found out that his mom wasn’t the only one allergic to evergreens, while Brandon’s brother Shaun recalls his and Brandon’s dad’s 6 a.m. all-day Christmas projects, when only three TV shows could get him to take a break, the tale ending on a heartwarming note that just may bring tears to your eyes as it did to mine.
The evening’s 90 minutes of comedy and musical magic ends with the best and biggest production number of all, a “Dance Of The Sugarplum Fairy” (of course the guys wear tutus) which turns into a truly exhilarating sleigh ride down the mountain to the strains of the Lone Ranger’s signature “William Tell Overture.”
Writers/stars Elden, Gowan, Hillis, Loeser & Loeser, and Oden are terrifically zany alumni of Chicago’s Improv Olympic and Second City and L.A.’s Comedy Sportz whose work here couldn’t be funnier or more inspired. Shaun Loeser, the show’s whiz of a director, designed the Christmas-trees-and-lights-filled set and Brandon Loeser was in charge of the show’s eclectic soundtrack. The very Christmasy lighting (and lights) were designed by Dave Watson.
Most of this season’s holiday shows are closing on Sunday, but Santasia runs through Christmas night. Demand is sure to be high for its final performances, so make your reservations right away…or you’ll have to wait a whole year till Santasia is (I hope I hope!) back for its not-to-be-missed 10th Anniversary edition. |
|
|